An obscure Bill Evans trio set (with bassist Paul Chambers and drummer Philly Joe Jones), On Green Dolphin Street went unissued until the mid-'70s, when the pianist decided that it was worth releasing as a fine example of Chambers' work. $35.99. Accompanied only by the minimalist rhythm section of bassist Eddie Gomez and drummer Marty Morell, Evans effortlessly deconstructs two pop standards, Harold Arlen's \"Sleeping Bee\" and his beloved \"Autumn Leaves,\" a Johnny Mercer tune that he played seemingly hundreds of times, along with three of his own compositions and Miles Davis' \"Nardis,\" a song Evans made his own through endless reintepretation over the course of many years. Listen to free internet radio, news, sports, music, and podcasts. I delight in this. Along with McCoy Tyner and Oscar Peterson , he was the force behind the biggest evolution in jazz piano since Art Tatum and Bud Powell . It rewards repeated listening. This is a compilation that covers Bill Evans in many different musical combinations and moods, and probably is the best single-disc overview of his 1960's work anyone could have come up with. William John Evans was an American jazz pianist and composer who mostly played in trios. A Bill Evans Primer. Debra Lew Harder: Solemn, skinny and bespectacled, pianist Bill Evans was called “The Minister” when he arrived on New York’s jazz scene in the late 1950s. Bill Evans (born William John Evans; 16th August 1929-15th September 1980) was one of the most famous jazz pianists of the twentieth century. Bill Evans Time Remembered is a 90-minute documentary film, ... Connie Atkinson and Frank Collett which are posted on YouTube. Alone is an album by jazz musician Bill Evans, recorded in late 1968 for Verve Records. Portrait In Jazz [LP] Bill Evans Trio. Ten years after he had recorded Stan Getz & Bill Evans for Verve, the pair reunited to record But Beautiful in 1974 – it was a live recording from concerts in Holland and Belgium. Along with McCoy Tyner and Oscar Peterson , he was the force behind the biggest evolution in jazz piano since Art Tatum and Bud Powell . concert recording of The Bill Evans Trio, featuring Eddie Gomez and Eliot Zigmund from Monday, November 15, 1976. Read Full Biography. Bill Evans, YouTube Different performances of the Bill Evans composition "Time Remembered". Listen to Bill Evans Radio free online. How My Heart Sings! Coming March 24th on Fantasy Records: On A Monday Evening offers Bill Evans fans a rare treat: an unreleased (and never bootlegged!) Now, you can promote your live events on YouTube. Quiet Now is an album by jazz pianist Bill Evans, released in 1969. Stream live CNN, FOX News Radio, and MSNBC. CD: $9.23. Bill Evans "New Jazz Conceptions" is a very strong debut Album. Vinyl: $18.27. Bill Evans (born William John Evans; 16th August 1929-15th September 1980) was one of the most famous jazz pianists of the twentieth century. Along with McCoy Tyner and Oscar Peterson , he was the force behind the biggest evolution in jazz piano since Art Tatum and Bud Powell . Vinyl: $58.99. is a 1962 album by jazz musician Bill Evans, recorded at the same time as Moon Beams. It is one of the most energetic Bill Evans records that I've heard, which may have been a result of his youth, especially if you compare it to "Everybody Loves Bill Evans" which is also a fabulous record but a bit more typical of the introspective Bill Evans style we all know and love. Bill Evans Trio. Bill Evans (born William John Evans; 16th August 1929-15th September 1980) was one of the most famous jazz pianists of the twentieth century. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Along with McCoy Tyner and Oscar Peterson , he was the force behind the biggest evolution in jazz piano since Art Tatum and Bud Powell . Fifty years later, the recording remains painfully introspective, up-tempo or not. Along with McCoy Tyner and Oscar Peterson , he was the force behind the biggest evolution in jazz piano since Art Tatum and Bud Powell . CD: $8.46. It is my first Evans purchase, although I have known of him for 40 years. Playing via Spotify Playing via YouTube. If you’re going on tour in the United States, and selling tickets via Ticketmaster or Eventbrite, YouTube can feature your tour dates within your video watch pages. Bill Evans (born William John Evans; 16th August 1929-15th September 1980) was one of the most famous jazz pianists of the twentieth century. How My Heart Sings! At Shelly's Manne-Hole (or more completely, Bill Evans Trio at Shelly's Manne-Hole, Hollywood, California) is a live album by American jazz pianist Bill Evans, released … Legendary jazz pianist Bill Evans is most often thought of as a "trio" player, as most of his albums have been piano/bass/drums, with the occasional solo or duo album. Waltz for Debby Bill Evans. Bill Evans (born William John Evans; 16th August 1929-15th September 1980) was one of the most famous jazz pianists of the twentieth century. But cool as he didn’t look, his sound captured Miles Davis, who asked him to play on the ground-breaking album Kind of Blue . The Complete Village V… Bill Evans Trio. Quiet Now is a bit too workmanlike to be one of the greatest Bill Evans Trio releases -- it's more solidly competent than divinely inspired, but Evans' playing, as always, is marvelous. The Legendary Sessions of Bill Evans & Chet Baker recorded in 1959 New York. Quiet Now is an album by jazz pianist Bill Evans, released in 1969.Personnel: Bill Evans (p) Eddie Gómez (bs) Marty Morrell (dr)Released: 1970Recorded: November 28, 1969 Amsterdam, NetherlandsLabel: CharlyProducer: -0:00 \"Very Airy\" (Evans)5:12 \"A Sleepin' Bee\" (Harold Arlen, Truman Capote)10:01 \"Quiet Now\" (Denny Zeitlin)15:27 \"Turn Out the Stars\" (Evans)20:24 \"Autumn Leaves\" (Jacques Prévert, Joseph Kosma, Johnny Mercer)24:40 \"Nardis\" (Miles Davis)An aptly titled album from the Bill Evans Trio, Quiet Now is the jazz pianist at his most ambient and cerebral. See Bill Evans pictures, photo shoots, and listen online to the latest music. Everybody Digs Bill Ev… Bill Evans. But he did record a select few albums with orchestras, and that's what makes SYMBIOSIS a special and unique entry in Evans' hugh catalog. Morrel is a steady, unobtrusive drummer with a light touch and, happily, not much of a tendency to show off and even less to solo. See Bill Evans pictures, photo shoots, and listen online to the latest music. William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly played in trios. is a 1962 album by jazz musician Bill Evans, recorded at the same time as Moon Beams. It was reissued in 1992 with one bonus track. Song Premiere: Bill Evans Trio, "Time Remembered" (Live in 1976) Bill Evans Biography by Richard S. Ginell + Follow Artist. Here are 10 tracks to check out: “Skating in Central Park” (from “Undercurrent” with Jim Hall, 1962) “Waltz for Debby” (from “New Jazz Conceptions,” 1957) Live in Tokyo (Japanes… Bill Evans. Plus 100,000 AM/FM radio stations featuring music, news, and local sports talk. Evans was the Van Gogh of jazz: sensile and troubled, characteristics that expressed themselves in his playing his entire career\". It was reissued in 1992 with one bonus track.Personnel: Bill Evans (p) Chuck Israels (b) Paul Motian (dr)Released: January 1964Recorded: May 17, 1962 (#1, 6) May 29, 1962 (#5, 7, 9) June 5, 1962 (#2-4, 8) Sound Makers StudioLabel: Riverside RLP 473Producer: Orrin Keepnews\"How My Heart Sings\" (Earl Zindars) \"I Should Care\" (Sammy Cahn, Axel Stordahl, Paul Weston) \"In Your Own Sweet Way\" (Dave Brubeck) \"In Your Own Sweet Way\" [alternate take - bonus track] \"Walkin' Up\" (Bill Evans) \"Summertime\" (George Gershwin, Ira Gershwin, DuBose Heyward) \"34 Skidoo\" (Evans) \"Ev'rything I Love\" (Cole Porter) \"Show-Type Tune\" (Evans) Writing for Allmusic, music critic Thom Jurek wrote of the album \"This is a tough recording; it flies in the face of the conventions Evans himself has set, and yet retrains the deep, nearly profound lyricism that was the pianist's trademark.\" On All About Jazz C. 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